Early on, I did a lot of doot doot sounds to create rhythms but I knew it was only a matter of time before I needed to do something else. I like listening back to see how my mind came up with new creative solutions to make each song unique. In a way, it follows The Smiths (especially Johnny Marr's guitars!) journey of expanding creativity as well. However, I like the haunting quality of this- especially the totally different chord structure at the end. Fun fact: that ending caught me off guard today as I was listening to write this post. I had honestly forgotten how my version went. Once I had finished the entire project in 2010, I completely put it out of my mind to get some much needed space from the all-consuming 1300-hour project. It took me several years to be able to listen to The Smiths again without hearing my versions layered on top. Now I'm back to thinking of great high school memories when I listen to them and it makes me feel all warm and fuzzy inside.
Of all 71 tracks, this is the only original file that somehow got deleted- both the original single voice version and the multilayered one. When the project was remastered in 2011, we had to just clean up the audio file that already had all the vocal layers flattened into one stereo track.
2010 Original Post
As promised, here's the new and improved version with about 10 more layers of voice than the original. I did my best to include more of the guitar element to the music and I'm pleased with how it turned out. It's probably the most rhythmic of my vocal pieces to date!
(btw, I seem to be having volume issues but hopefully the levels aren't too low for everyone else...)